Alejandro M. Parisi was born in 1982 in Buenos Aires, Argentina. His works and exhibitions were previously welcomed at the Museo de Bellas Artes de Tandil and Museo de Bellas Artes de Lujan, Fernán Félix de Amador and were widely […]
ANNUAL Magazine : Your previous show at Sobering Gallery is entitled Screen Memories (March 12th – April 14th, 2015) as a reference to Sigmund Freud’s Psychopathology of Everyday Life. Do you consider the ambiguity
Chris Wiley: For your retrospective All last year at the Guggenheim, you hung every work you’ve ever made from a massive armature in the middle of the rotunda. It was like a giant puppet show or an elaborate mobile—a work […]
Kathleen Buehler: How do your works relate to the world we’re living in or to the reality we perceive? Would you say that you depict a possible different world or a world we can dream about, or that you are showing […]
Julie Estève: Your works use leftovers, everyday items and sometimes even garbage. What direction do you push them in? Pascale Marthine Tayou: We are into incomprehension, so that’s where I push objects. Choosing an object allows me to give it […]
ANNUAL Magazine : “Aghet” means “catastrophe” in Armenian and it refers to the genocide of a million and a half Armenians within the Ottoman Empire organized by the nationalist Young Turk party (C.U.P) from 1915. At the occasion
Paul Winstanley, who paints from photographs, uses a process of accumulation of images and then, removing some parts of it or drawing the eye of the spectator to a detail he highlights, he redesigns them entirely.
ANNUAL Magazine : Inspired by your imaginary travels, you create landscapes in which are superimposed plant and animal patterns, textures and techniques. Your technique explores the limits of the pictorial tradition